Posts Tagged ‘popular literature’
The Atlantic‘s Victoria Baena writes about the campaign to save Paris’ Librarie Delamain from rising rents. Baena explores at length the ways in which the French economy is structured to inhibit the growth of chain and online bookstores, protecting independents.
It’s difficult to imagine the shuttering of a bookstore causing a similar outcry anywhere else—not to mention direct government involvement in the matter of a private lease. This has something to do with what the French call l’exception culturelle. It doesn’t just mean cultural exceptionalism; the phrase refers more precisely to the notion that cultural goods should not be subject to the whims of the free market—and should be protected from the homogenizing onslaught of global, and in particular American, cultural imperialism.
In the U.S., such a policy would smack of protectionism. The French prefer to justify it in terms of maintaining “cultural diversity.” L’exception culturelle is the source of production quotas for radio programs made in France. It’s the reason the initial arrival of Netflix executives in France was met with a letter from producers bemoaning the “implosion of our cultural model.” And in a more general sense, it is part of a conviction in France—albeit one increasingly debated—that cultural heritage is a good with its own internal logic and value system, one that the government has the duty not only to protect but to actively promote. France even entombs its most celebrated literary and cultural figures, among other “great men” (and now women), in the Panthéon in Paris.
In the publishing sphere, l’exception culturelle morphs from a committed ideal into concrete policy. It has allowed the French to mount a challenge to the digital revolution in a way that would be unimaginable in the U.S.
As an independent bookstore, the Librairie Delamain already receives a partial merchandising subsidy—5,000 euros in 2013—from the Centre National du Livre. In 2013, the Ministry of Culture announced a further injection of 5 million euros into the independent bookstore industry, as well as the creation of a new bureaucratic position (the stereotypical solution to all French problems)—the “book arbitrator”—who could, in cases like this one, intervene in legal disputes without forcing the small businesses to involve themselves in expensive litigation. Booksellers like Delamain are also aided by the loi Lang, a 1981 law named after a former minister of culture, which limits discounts on books to 5 percent of their cover price. Earlier this summer, a so-called “anti-Amazon” amendment extended this limit to online booksellers and prohibits them from offering free shipping on reduced-price books.
Last Sunday, I visited the Toronto incarnation of The Word on the Street. Queen’s Park Crescent, surrounding the park and provincial legislative assembly of the same name, was blocked off for the day-long street book festival.
I can’t speak about the morning, but the afternoon was a beautiful day. It was quite nice to spend a bright warm September summer afternoon in the middle of the city surrounded by books. Getting my picture taken with Polkaroo was an added benefit.
I got the Derek Jarman book for $C5 from the Glad Day booth. The Ke$ha book came free.
Madhavi Acharya-Tom Yew’s brief Toronto Star article just touches upon the rather enjoyable time I had at Word on the Street on Queen’s Park. (I’ll have plenty of pictures in coming days.) When I was there in the afternoon, the weather was happily perfect.
Sunday morning’s thunderstorms didn’t dampen spirits at the 25th annual Word on the Street.
The Toronto book and magazine festival drew an estimated 210,000 people to Queen’s Park Circle, mostly in the afternoon, organizers said.
“During setup at 8 a.m. it was really bad. Lightning, rain. Bad rain. We can handle any weather, but lightning does scare us. But that’s over,” spokesperson Stephen Weir said in an interview.
“I suspect the audience we lost in the morning arrived in the afternoon.”
This year’s roster of over 200 authors included Canadian writers Claire Cameron, Kathryn Kuitenbrouwer, Sean Michaels, and Shani Mootoo.
“The festival is huge now,” said one festival-goer, Sue Peters of Toronto. “I haven’t been her for a few years and I can’t believe how big it is.”
I went to Toronto’s Word on the Street literary festival yesterday, and had a wonderful time. The streets surrounding Queen’s Park were cordoned off from traffic and filled with booksellers and literary events amid photogenic scenery.
One thing I appreciated was the TVO Kids stage outside of the Royal Ontario Museum. There, Ontario’s public television station had some of the most iconic characters of their programmers posing and taking pictures. Polkaroo, for instance.