Posts Tagged ‘popular literature’
[URBAN NOTE] “Glad Day’s new owners celebrate one year in the book business”
Xtra!‘s Michael Lyons writes about the ongoing success of Glad Day, run for a year by a well-financed group of community investors.
[F]or local teacher and activist Michael Erickson, who, along with 21 other community members, purchased the iconic Yonge Street bookshop one year ago, the opportunity to buy the store was a dream waiting to happen. “When we did the call-out for who’d be interested, I think a lot of the owners had always secretly wished that one day they could own a bookstore,” Erickson says. “I think a lot of us fantasized about this.”
Following the closure of New York City’s Oscar Wilde Bookshop in 2009, Glad Day became the world’s oldest queer bookstore, Erickson says. “We spent the past year focusing on sustainability of the store, which I think we’ve done a good job at, but in order for us to survive we have to move to build.”
The next step, he says, is turning Glad Day into an online brand. “We would like to create our own platform to sell books on,” he says. “It would also have a space to list our events coming up. We have some ideas for a community memory project we’d like to post and house on there as well. We also have a book review blog in the works.
“Ideally, it’s the sort of site where people could go on a regular basis, get reviews on books, get connected with the past and hopefully even propose visions and ideas for the future for our community. And buy books.”
There’s online fundraising for this brand at IndieGogo. So far, $792 of a goal of 15 thousand Canadian dollars have been raised. (No, I’ve not yet contributed. Yes, I probably should.)
[LINK] Centauri Dreams’ Paul Gilster on the genesis of Arthur C. Clarke, writer
Writing at Centauri Dreams, Paul Gilster had a trio of thoughtful posts examining the development of Arthur C. Clarke (1, 2, 3). The first post, “The Vision of Arthur C. Clarke”, points to an interesting-looking new biography about the writer.
Neil McAleer’s new book on Clarke is called Visionary: The Odyssey of Sir Arthur C. Clarke (Clarke Project, 2012). It’s the place to go for the background on this period, and on any period, in Clarke’s life. I call the book ‘new,’ but it’s actually a major revision and update of McAleer’s 1993 biography that adds extensive coverage of Clarke’s last fifteen years, covering a lot of material that was new to me, including insights into Clarke’s synergistic relationship with Stanley Kubrick, his reaction to the tsunami of 2004, and the almost playful way he fielded questions about his private life until a newspaper scandal based on nothing more than innuendo delayed the ceremony conferring his knighthood for two years. Throughout, McAleer’s research is exhaustive, drawing on memoirs, interviews and letters from Clarke’s many friends.
The second, “Arthur C. Clarke: On Cities and Stars”, draws from McAleer’s biography to look at the influences and experiences of the young writer, leading up to his The City and the Stars.
By the time Clarke moved from Somerset to London in 1936 he was already suffused with science fiction and in particular enraptured with Olaf Stapledon’s Last and First Men, not to mention the second-hand copies of American science fiction magazines that were then available in England. He spoke of the ‘ravenous addiction’ these magazines inspired and the effect that Stapledon’s novel, with a time scale spanning five billion years, had upon his imagination. He was twelve years old when he first read Last and First Men, awed by its cosmic reach and its placement of the evolution of humanity against the broader backdrop of the cosmos.
Think for a moment of 2001: A Space Odyssey. Has any film ever covered a wider swath of time, from the beginnings of tool making to the apotheosis of the species in an extraterrestrial encounter? This was Clarke’s stage, but the other great discovery of his youth, David Lasser’s The Conquest of Space (1931) gave him the technology he would spend a life examining. Lasser was the founder of the American Interplanetary Society (which became the American Rocket Society and, eventually, the American Institute of Aeronautics and Astronautics). He was also, for a time, the editor of Hugo Gernsback’s Science Wonder Stories and Air Wonder Stories. If Stapledon brought Clarke the cosmos, Lasser gave the boy a focus on the attainable, the idea of space as a reachable frontier.
[. . .]
I came across The City and the Stars just a few years after it was published and was mesmerized by its setting in much the way Clarke was taken with Stapledon’s Last and First Men. Here was Diaspar, the city of the far future, the only city on planet Earth, whose inhabitants moved through a high-tech monument to stasis. Nothing changes in Diaspar even as the world around it loses its oceans and becomes desert. Clarke would have much to say about the kind of inward thinking that his characters have to overcome, but the unmistakable fact about Diaspar is that the city at the end of time is also achingly, eerily beautiful.
The third and final (so far?), “Clarke: The Rocket Man Emerges”, considers the beginning of his viable writing career and his genius as a science writer and predictors.
As his stint in the Royal Air Force drew to a close in 1945, Clarke developed the notion of geostationary satellites providing global communications. During the war he had worked on microwaves and radar, while his passion for rocketry provided the means of deployment. McAleer points to George O. Smith as a possible influence, the latter having published a series of stories in Astounding during the war years that became known as the Venus Equilateral series. Clarke even wrote an introduction to a 1976 reprint of these stories saying that they might well have influenced him subconsciously in his work.
The article “Extra-Terrestrial Relays,” whatever its sources, would appear in Wireless World in October of 1945. Worldwide coverage by radio and television would be implemented by a series of spacecraft with an orbital period of 24 hours at a distance of 42,000 kilometers from Earth center. Clarke went on to describe the equatorial orbits that would place space stations into ‘fixed’ spots in the sky (as seen by people on Earth). The predictions were bold, valid and, yes, visionary, but remained unheralded at the time except by the US Navy. Many believe the article was influential in the development of early space satellites.
Clarke’s $40 from Wireless World offered him plenty of opportunity later in life to joke about the real monetary value of the communications satellite concept, and McAleer notes that he never showed any regrets about what might have been. In any case, being a visionary was already becoming a habit for the writer, one that seemed to outweigh financial considerations. While still in the RAF and working as an instructor at a radio school in Wiltshire, Clarke often broke into soliloquies on rocket science, describing at one late night session how multistage rockets would get us to the Moon. When asked how big the rocket would be, he described it as the height of St. Paul’s Cathedral, which turns out to be within a few feet of the height of the Saturn V.
Read all three; they’re good.
[URBAN NOTE] On the closing of Fab magazine
This morning I was saddened to discover, via Towleroad then blogTO, that biweekly GLBT magazine Fab is set to cease publication. Editor Phil Villeneuve described what happened for the magazine’s readers.
It’s with a very heavy, but hopeful, heart that I announce Fab magazine will cease publication this spring. Our final issue will be released April 24 and will be in boxes until May 7.
The first issue of Toronto’s little gay-party-animal diary came out Pride weekend 1994, and it has been a relentless pop-culture beast ever since. Aimed knowingly and directly at a gay male audience, Fab has been on the streets of this fine city for 19 years, covering everything from politics, to social issues, to underwear trends, to fascinating new lube flavours. It’s overseen the evolution of Toronto gay men and covered every type of party, play and festival.
Always with its glittering finger on the pulse, Fab has been guided by a juicy handful of editors and supported by a talented army of columnists, freelance writers, photographers and designers — each and every one committed to having a good time and letting boys across the city, and for a time across the country, know how great it is to be gay.
The realities of the print publication world have finally taken their toll on our free glossy. Pink Triangle Press has had to make some difficult decisions over the years, including closing The Body Politic back in the day. Today, the press simply can’t afford to keep the magazine running. Despite the contributors, content and the amazing people that fill its pages, it’s time to say farewell.
But don’t think we’re going out with a whisper. Fab is a unique publication and an iconic one for our community. We plan to celebrate it with a final goodbye issue, as well as a great big party. So stay tuned for details, because we’ll want to see you all there — and be sure to get your hands on that final issue, ’cause those bitches will be collectors’ items by Pride.
Here’s hoping that the new website dailyxtra.com, which will apparently incorporate a lot of content from Fab, will do well.
[LINK] “I Want Your Job: Vicki Essex, Romance Writer”
Torontoist’s Kelli Korducki has a great interview up with Toronto-based Harlequin novelist Vicki Essex. In the interview, Essex talks at (helpful?) length about the writing and publishing process in one of the more popular genres of literature out there.
There’s a temptation to revert to cliché when discussing pulp romance. Harlequin Superromance author Vicki Essex says this makes writers of the genre cringe.
“‘Bodice-rippers.’ We hate that term! It’s a throwback from the ’70s and ’80s, when historicals were the big thing,” she says. “But today, romance—and contemporary romance especially—isn’t like that. There are so many genres and sub-genres.”
Essex is part of a new generation of young, smart, romance writers who are using the medium to tell compelling, well-written stories that just happen to feature boy-meets-girl scenarios with fleshly pursuits. She stresses that these books are hardly recycled, drop-in-the-detail plot scenarios.
“Another thing people hate is the idea that there are formulas in romance writing,” she says. “If you have to use an ‘F’ word, use ‘framework.’ All stories use a framework.”