A Bit More Detail

Assorted Personal Notations, Essays, and Other Jottings

Posts Tagged ‘music videos

[BLOG] Some Saturday links

  • Bad Astronomer Phil Plait looks at enormous, explosive Wolf-Rayet stars, and at WR 124 in particular.
  • The Big Picture shares heart-rending photos of Rohingya refugees fleeing Burma.
  • Centauri Dreams considers the potential of near-future robotic asteroid mining.
  • D-Brief notes the discovery of vast cave systems on the Moon, potential homes for settlers.
  • Hornet Stories exposes young children to Madonna’s hit songs and videos of the 1980s. She still has it.
  • Inkfish notes that a beluga raised in captivity among dolphins has picked up elements of their speech.
  • Language Hat notes a dubious claim that a stelae containing Luwian hieroglyphic script, from ancient Anatolia, has been translated.
  • Lawyers, Guns and Money considers the question of preserving brutalist buildings.
  • The LRB Blog considers how Brexit, intended to enhance British sovereignty and power, will weaken both.
  • The Map Room Blog notes that the moons and planets of the solar system have been added to Google Maps.
  • The NYR Daily considers how the Burmese government is carefully creating a case for Rohingya genocide.
  • The Power and Money’s Noel Maurer concludes, regretfully, that the market for suborbital travel is just not there.
  • Visiting a shrimp festival in Louisiana, Roads and Kingdoms considers how the fisheries work with the oil industry (or not).
  • Towleroad reports on the apparent abduction in Chechnya of singer Zelimkhan Bakayev, part of the anti-gay pogrom there.
  • Window on Eurasia notes that rebuilding Kaliningrad as a Russian military outpost will be expensive.
Advertisements

[MUSIC] Moev, “Yeah, Whatever”

“Yeah, Whatever” is the title track off of Vancouver-based Canadian electronica group Moev‘s 1988 album “Yeah, Whatever”. Produced by the second incarnation of this band, featuring one Dean Russell as vocalist and lyricist, this song deserved wider recognition. Russell’s vocals and the guitar-driven lyrics bring to mind a sort of Canadian fusion of Depeche Mode with the Smiths.

Most unfortunately, Moev and Dean Russell never got the chance to break through into the mainstream, Russell dying of HIV/AIDS in 1994 and the band subsequently splintering. What could have been–But at least we have this.

Written by Randy McDonald

July 13, 2017 at 11:59 pm

[MUSIC] Bruce Cockburn, “Lovers In A Dangerous Time”

Possibly Canadian folksinger Bruce Cockburn‘s signature song, his 1984 single “Lovers In A Dangerous Time” amply deserves its fame. It’s a strong song, deserving its top ranking on any number of lists of top Canadian love songs, the poetry of Cockburn’s lyrics carried by the urgency of his vocals.

This song arguably achieved greater fame outside of Canada by virtue of the Barenaked Ladies’ later cover. That cover is decent, I grant, but it lacks Cockburn’s signature urgency. Cockburn wrote this song, like other songs at this time, in the context of the Cold War, in his concern for refugees from Latin America. (I read somewhere that he was thinking of couples caught up in Argentina’s then recently-concluded dirty war.) Other critics linked this song to the emergence HIV/AIDS crisis. The Barenaked Ladies’ cover is light, too light–their Scarborough might have been boring, but it was not that bad. Cockburn understood perfectly that love matters, even especially when times were difficult, and his performance gets this across wonderfully.

These fragile bodies of touch and taste
This vibrant skin, this hair like lace
Spirits open to the thrust of grace
Never a breath you can afford to waste

When you’re lovers in a dangerous time
Lovers in a dangerous time

When you’re lovers in a dangerous time
Lovers in a dangerous time

When you’re lovers in a dangerous time
Sometimes you’re made to feel as if your love’s a crime
But nothing worth having comes without some kind of fight
Got to kick at the darkness ’til it bleeds daylight

Written by Randy McDonald

June 29, 2017 at 11:59 pm

[MUSIC] Susan Agkulark, “O Siem”

The first live music concert I attended was a 1995 show in Charlottetown put on by Inuk musician Susan Aglukark, touring Canada in the wake of the success of her hit and signature song “O Siem”. “O Siem” is still as lovely as I remember it.

Written by Randy McDonald

May 25, 2017 at 11:59 pm

[MUSIC] Robert Miles, “Children”

The CD single of Robert Miles’ “Children” is one of the first singles I had ever bought, on (I think) one of my family’s shopping daytrips to the mainland, to Moncton. There we could buy canned pop, or French-language books, or CD singles.

Written by Randy McDonald

May 11, 2017 at 11:57 pm

[MUSIC] Annie Lennox, Diva

A Eurythmics fan group on Facebook just reminded me that today, the 6th of April, is the 25th anniversary of the release of Annie Lennox’s solo debut, Diva.

Wow.

Much of the video album, directed by long-time collaborator Sophie Muller who was also responsible for the exquisite 1986 Savage video album, is viewable here. I blogged about one track from Diva, “Little Bird”, back in 2008. A lot of the tracks–“Why?”, “Walking on Broken Glass”, “Legend in my Living Room”, all of them really–deserve extended commentaries of their own.

What can I say about Diva but that this album is one of the highlights of the career of an artist who has been hugely influential in my life? Without seeing “No More I Love Yous” on MuchMusic back in 1995, I can imagine that I might have gone into the sciences rather than the arts. Lennox’s music has been a constant throughout my life, with its art and its poise and its personality. My life is much the better for having had it.

Thanks, Annie.

Written by Randy McDonald

April 6, 2017 at 10:57 pm

[MUSIC] Grimes, “Kill V. Maim”

The Grimes song “Kill V. Maim” is one I’ve been playing a lot this week, with its video set partly in Toronto’s abandoned Lower Bay Station and a threateningly manic song with a chorus–“Are you going to the party?/Are you going to the show?”–inspired by Godfather‘s Al Pacino and by Harley Quinn.

Grimes, a.k.a. Claire Boucher, appears on the latest episode of the “Song Exploder” podcast, a must-listen for music fans who want to hear their fave artists talk about how they created their own songs. In it, Grimes breaks down her thrashing Art Angels cut “Kill V. Maim,” revealing the impetus of it was a friend who doubted her ability to be musically aggressive.

“He kept doing these cute little plucky things, and I was like ‘No, no, let’s make a hard song.’ He was like ‘No, no, you make cute music.’ I was so horrified,” Grimes recalls. “So I went home after that sort of wanting to prove that I could make something that’s going to be really aggressive that I would want to play during an action sequence in a movie.”

After that, she set out to make something that could soundtrack the trailer for a fictional crossover of The Godfather and Twilight. Add in a lot of kick drums, some cleverly buried samples of cheering crowds, and what Grimes calls a “scary, demon chorus” inspired by Harley Quinn, and you have “Kill V. Maim,” which she reveals is “probably my favorite song I’ve ever made.”

Written by Randy McDonald

March 2, 2017 at 11:53 pm